DSLR’s are Officially the Living End of the Camera World
I just re-read my previous post about dSLRs vs. Mirrorless. The first thing that struck me is that I wrote it a year and a half ago! Where did that time go? But more importantly, I am amazed at how fast things have changed in camera technology since then. At the time, I figured mirrorless cameras would catch or pass SLRs in a few years. But mirrorless cameras have continued to improve at an incredible pace and I can honestly say they have now surpassed SLRs in everything I need in a camera. As a mirrorless shooter, I’ll focus on what they have done in the past year and a half.
it’s flagship mirrorless camera . If you haven’t heard about it yet, here’s a quick run down. This is a professional grade, full-frame, 24MP, 4k, 20 frames per second! mirrorless camera. But what sets apart from all other mirrorless cameras is its electronic shutter. An electronic shutter is exactly what it sounds like…the image coming off the sensor is captured without the use of the mechanical shutter, so there is no viewfinder blackout (or sound) that you normally experience when using a mechanical shutter. Electronic shutters have been around for years but they’ve been limited to slow moving or still subjects because of rolling shutter issues. Any significant subject movement during the image capture will cause distortion of the moving part of the image. effectively solved the rolling shutter problem in electronic shutter, allowing electronic shutter speeds up to 1/30,000th of a second with no perceptible distortion. I can’t say enough how big of a deal this is. It’s groundbreaking. Continuous shooting is possible at 20fps and there is no viewfinder interruption. Zero. Nada. Zilch. And shooting can be completely silent.
There are so many things about the that improved over previous cameras. better viewfinder, AF selector joystick, better ergonomics, bigger battery, dual card slots, touch screen, improved tactile feel of dials and switches, better menu system, and on and on. These are all important things that was playing catch up on. But I’m going to focus on what I think makes this a revolutionary camera instead of just an evolutionary one.
For a sports photographer, no viewfinder blackout is a paradigm shift. And I didn’t realize how much of a shift until I went back to use my. At first, not having a viewfinder blackout seems kind of cool but not that big of a deal. But after using it for a while, it becomes seamless, and a huge advantage for following erratically moving fast subjects like skiers. That moment of viewfinder blackout that I grew accustomed to was often just long enough and would occur at the wrong time for when a subject changes speed or direction. As a result, there were often shots where the subject was partially out of frame or out of focus as tracking them during the blackout was a process of expecting them to continue on the path or speed that they were before the blackout. With no blackout, tracking them is much easier. So it was subtle at first shooting on the but before I knew it, I was really using the no blackout viewfinder in ways I wasn’t aware of. Picking up a traditional mechanical shutter camera felt like picking up an antique. Suddenly, everything else felt like old technology.